“One more second and I should have stopped him,” said Keller, afterwards. In fact, he and Burdovsky jumped into another carriage and set off in pursuit; but it struck them as they drove along that it was not much use trying to bring Nastasia back by force.
Nina Alexandrovna and her daughter were both seated in the drawing-room, engaged in knitting, and talking to a visitor, Ivan Petrovitch Ptitsin.
“Certainly, but not always. You would not have been able to keep it up, and would have ended by forgiving me,” said the prince, after a pause for reflection, and with a pleasant smile.
“DEAR COLIA,--Please be so kind as to give the enclosed sealed letter to Aglaya Ivanovna. Keep well--Ever your loving,
“Thanks; very well. Then I suppose it’s Ferdishenko; that is, I mean, you suspect Ferdishenko?”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
The speech of Lebedeff’s nephew caused a certain stir among the company; murmurs arose, though with the exception of Lebedeff, who was still very much excited, everyone was careful not to interfere in the matter. Strangely enough, Lebedeff, although on the prince’s side, seemed quite proud of his nephew’s eloquence. Gratified vanity was visible in the glances he cast upon the assembled company.
“By all means! I assure you I am delighted--you need not have entered into all these explanations. As for your remarks about friendship with me--thanks, very much indeed. You must excuse my being a little absent this evening. Do you know, I cannot somehow be attentive to anything just now?”

Gavrila Ardalionovitch nodded to the prince and entered the room hastily.

“Sometimes, thinking over this, I became quite numb with the terror of it; and I might well have deduced from this fact, that my ‘last conviction’ was eating into my being too fast and too seriously, and would undoubtedly come to its climax before long. And for the climax I needed greater determination than I yet possessed.
Everyone seemed to be speaking prophetically, hinting at some misfortune or sorrow to come; they had all looked at him as though they knew something which he did not know. Lebedeff had asked questions, Colia had hinted, and Vera had shed tears. What was it?
The poor general had merely made the remark about having carried Aglaya in his arms because he always did so begin a conversation with young people. But it happened that this time he had really hit upon the truth, though he had himself entirely forgotten the fact. But when Adelaida and Aglaya recalled the episode of the pigeon, his mind became filled with memories, and it is impossible to describe how this poor old man, usually half drunk, was moved by the recollection. “Aglaya Ivanovna, aren’t you ashamed of saying such a thing? How could such a horrible idea enter your sweet, innocent heart? I am certain you don’t believe a word of what you say, and probably you don’t even know what you are talking about.”
The prince did not exactly pant for breath, but he “seemed almost to _choke_ out of pure simplicity and goodness of heart,” as Adelaida expressed it, on talking the party over with her fiance, the Prince S., next morning.
He was rushing hurriedly from the terrace, when Lebedeff’s nephew seized his arms, and said something to him in a low voice. Burdovsky turned quickly, and drawing an addressed but unsealed envelope from his pocket, he threw it down on a little table beside the prince.
Just then another person belonging to the household was seen at the back of the hall. It was a woman of some forty years, dressed in sombre colours, probably a housekeeper or a governess. Hearing the names she came forward with a look of suspicion on her face.
“The children did not love me at first; I was such a sickly, awkward kind of a fellow then--and I know I am ugly. Besides, I was a foreigner. The children used to laugh at me, at first; and they even went so far as to throw stones at me, when they saw me kiss Marie. I only kissed her once in my life--no, no, don’t laugh!” The prince hastened to suppress the smiles of his audience at this point. “It was not a matter of _love_ at all! If only you knew what a miserable creature she was, you would have pitied her, just as I did. She belonged to our village. Her mother was an old, old woman, and they used to sell string and thread, and soap and tobacco, out of the window of their little house, and lived on the pittance they gained by this trade. The old woman was ill and very old, and could hardly move. Marie was her daughter, a girl of twenty, weak and thin and consumptive; but still she did heavy work at the houses around, day by day. Well, one fine day a commercial traveller betrayed her and carried her off; and a week later he deserted her. She came home dirty, draggled, and shoeless; she had walked for a whole week without shoes; she had slept in the fields, and caught a terrible cold; her feet were swollen and sore, and her hands torn and scratched all over. She never had been pretty even before; but her eyes were quiet, innocent, kind eyes.

“It’s only for mother’s sake that I spare him,” said Gania, tragically.

“You heard me talking about it, the general and me. You heard me say that everything was to be settled today at Nastasia Philipovna’s, and you went and blurted it out here. You lie if you deny it. Who else could have told them? Devil take it, sir, who could have told them except yourself? Didn’t the old woman as good as hint as much to me?”

“No, prince, she will not. Aglaya loved like a woman, like a human being, not like an abstract spirit. Do you know what, my poor prince? The most probable explanation of the matter is that you never loved either the one or the other in reality.”
“You there, Gania?” cried a voice from the study, “come in here, will you?”
“Yes--she’s mad!” he whispered, growing pale. “Quite so, quite so; and he swears that his wife never found out that one of his legs was wooden all the while they were married. When I showed him the ridiculousness of all this, he said, ‘Well, if you were one of Napoleon’s pages in 1812, you might let me bury my leg in the Moscow cemetery.’ ”

“My dear prince,” continued Prince S. “remember what you and I were saying two or three months ago. We spoke of the fact that in our newly opened Law Courts one could already lay one’s finger upon so many talented and remarkable young barristers. How pleased you were with the state of things as we found it, and how glad I was to observe your delight! We both said it was a matter to be proud of; but this clumsy defence that Evgenie mentions, this strange argument _can_, of course, only be an accidental case--one in a thousand!”

The prince rose from his seat, and Lebedeff, surprised to see his guest preparing to go so soon, remarked: “You are not interested?” in a respectful tone.
Rogojin’s eyes flashed, and a smile of insanity distorted his countenance. His right hand was raised, and something glittered in it. The prince did not think of trying to stop it. All he could remember afterwards was that he seemed to have called out:

“Why?”

“That was a psychological phenomenon, not an action,” remarked Totski.

“I won’t drink!”

“You are wrong. I know scarcely anything, and Aglaya Ivanovna is aware that I know nothing. I knew nothing whatever about this meeting. You say there was a meeting. Very well; let’s leave it so--”
“I saw how the man dashed about the room to find me an empty chair, how he kicked the rags off a chair which was covered up by them, brought it to me, and helped me to sit down; but my cough went on for another three minutes or so. When I came to myself he was sitting by me on another chair, which he had also cleared of the rubbish by throwing it all over the floor, and was watching me intently.
“That’s what comes of telling the truth for once in one’s life!” said Lebedeff. “It reduced him to tears.”

“Oh, curse it all,” he said; “what on earth must you go blabbing for? You know nothing about the thing, and yet--idiot!” he added, muttering the last word to himself in irrepressible rage.

In spite of his shyness and agitation, he could not help being greatly interested in the conversation. A special characteristic of his was the naive candour with which he always listened to arguments which interested him, and with which he answered any questions put to him on the subject at issue. In the very expression of his face this naivete was unmistakably evident, this disbelief in the insincerity of others, and unsuspecting disregard of irony or humour in their words.

“He is a traitor! a conspirator!” shouted Lebedeff, who seemed to have lost all control over himself. “A monster! a slanderer! Ought I to treat him as a nephew, the son of my sister Anisia?”

“There! that is what I feared!” cried the prince. “It was inevitable!”

“No, I have really an object in going... That is, I am going on business it is difficult to explain, but...”

“Well, what, my dear girl? As if you can possibly like it yourself? The heart is the great thing, and the rest is all rubbish--though one must have sense as well. Perhaps sense is really the great thing. Don’t smile like that, Aglaya. I don’t contradict myself. A fool with a heart and no brains is just as unhappy as a fool with brains and no heart. I am one and you are the other, and therefore both of us suffer, both of us are unhappy.”

“Well, go on! never mind me!” mocked the other. “Don’t be afraid!”

“Oh! it’s not a great matter to guess who told her. A thief! A thief in our family, and the head of the family, too!”
“I must say it’s very nice of you to laugh. I see you really are a kind-hearted fellow,” said Mrs. Epanchin.
“From you to me? Ha, ha! that’s nothing! Why, she always acts as though she were in a delirium now-a-days! Either she says, ‘Come on, I’ll marry you! Let’s have the wedding quickly!’ and fixes the day, and seems in a hurry for it, and when it begins to come near she feels frightened; or else some other idea gets into her head--goodness knows! you’ve seen her--you know how she goes on--laughing and crying and raving! There’s nothing extraordinary about her having run away from you! She ran away because she found out how dearly she loved you. She could not bear to be near you. You said just now that I had found her at Moscow, when she ran away from you. I didn’t do anything of the sort; she came to me herself, straight from you. ‘Name the day--I’m ready!’ she said. ‘Let’s have some champagne, and go and hear the gipsies sing!’ I tell you she’d have thrown herself into the water long ago if it were not for me! She doesn’t do it because I am, perhaps, even more dreadful to her than the water! She’s marrying me out of spite; if she marries me, I tell you, it will be for spite!”

He paused, breathless.

“Well, what then? Did you suppose it wasn’t going to rise?” asked Ferdishenko.

“Don’t apologize,” said Nastasia, laughing; “you spoil the whole originality of the thing. I think what they say about you must be true, that you are so original.--So you think me perfection, do you?”

“Why, are you a doctor, prince, or what?” he asked, as naturally as possible. “I declare you quite frightened me! Nastasia Philipovna, let me introduce this interesting character to you--though I have only known him myself since the morning.”

“Do you know that I came here to see those trees?” pointing to the trees in the park. “It is not ridiculous, is it? Say that it is not ridiculous!” he demanded urgently of Lizabetha Prokofievna. Then he seemed to be plunged in thought. A moment later he raised his head, and his eyes sought for someone. He was looking for Evgenie Pavlovitch, who was close by on his right as before, but he had forgotten this, and his eyes ranged over the assembled company. “Ah! you have not gone!” he said, when he caught sight of him at last. “You kept on laughing just now, because I thought of speaking to the people from the window for a quarter of an hour. But I am not eighteen, you know; lying on that bed, and looking out of that window, I have thought of all sorts of things for such a long time that... a dead man has no age, you know. I was saying that to myself only last week, when I was awake in the night. Do you know what you fear most? You fear our sincerity more than anything, although you despise us! The idea crossed my mind that night... You thought I was making fun of you just now, Lizabetha Prokofievna? No, the idea of mockery was far from me; I only meant to praise you. Colia told me the prince called you a child--very well--but let me see, I had something else to say...” He covered his face with his hands and tried to collect his thoughts.
And Afanasy Ivanovitch heaved a deep sigh.
Nastasia Philipovna’s eyes were flashing in a most unmistakable way, now; and her lips were all a-quiver by the time Totski finished his story.
There she stood at last, face to face with him, for the first time since their parting.
Thanks to the manner in which he regarded Nastasia’s mental and moral condition, the prince was to some extent freed from other perplexities. She was now quite different from the woman he had known three months before. He was not astonished, for instance, to see her now so impatient to marry him--she who formerly had wept with rage and hurled curses and reproaches at him if he mentioned marriage! “It shows that she no longer fears, as she did then, that she would make me unhappy by marrying me,” he thought. And he felt sure that so sudden a change could not be a natural one. This rapid growth of self-confidence could not be due only to her hatred for Aglaya. To suppose that would be to suspect the depth of her feelings. Nor could it arise from dread of the fate that awaited her if she married Rogojin. These causes, indeed, as well as others, might have played a part in it, but the true reason, Muishkin decided, was the one he had long suspected--that the poor sick soul had come to the end of its forces. Yet this was an explanation that did not procure him any peace of mind. At times he seemed to be making violent efforts to think of nothing, and one would have said that he looked on his marriage as an unimportant formality, and on his future happiness as a thing not worth considering. As to conversations such as the one held with Evgenie Pavlovitch, he avoided them as far as possible, feeling that there were certain objections to which he could make no answer.
“That she did not disgrace me at Moscow with that officer, Zemtuznikoff? I know for certain she did, after having fixed our marriage-day herself!”
He ran off and left the prince more dejected than ever.
“Why should we be angry?” they cried.
The officer, tearing himself from the prince’s grasp, pushed him so violently backwards that he staggered a few steps and then subsided into a chair.
“You manage your composure too awkwardly. I see you wish to insult me,” he cried to Gania. “You--you are a cur!” He looked at Gania with an expression of malice.
“She’s a real princess! I’d sell my soul for such a princess as that!”
“Not that way,” said Rogojin.
“About twenty paces from the scaffold, where he had stood to hear the sentence, were three posts, fixed in the ground, to which to fasten the criminals (of whom there were several). The first three criminals were taken to the posts, dressed in long white tunics, with white caps drawn over their faces, so that they could not see the rifles pointed at them. Then a group of soldiers took their stand opposite to each post. My friend was the eighth on the list, and therefore he would have been among the third lot to go up. A priest went about among them with a cross: and there was about five minutes of time left for him to live.
She was silent a moment to get breath, and to recover her composure.
“Lef Nicolaievitch!” interposed Madame Epanchin, suddenly, “read this at once, this very moment! It is about this business.”

She walked past the orchestra, to where an open carriage was waiting, near the road.

“Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture.
“Nonsense! love him and torment him so! Why, by the very fact that he put the purse prominently before you, first under the chair and then in your lining, he shows that he does not wish to deceive you, but is anxious to beg your forgiveness in this artless way. Do you hear? He is asking your pardon. He confides in the delicacy of your feelings, and in your friendship for him. And you can allow yourself to humiliate so thoroughly honest a man!”
They had left the garden now, and were crossing the yard on their way to the gate.

“Why, prince, I declare you must have had a taste of this sort of thing yourself--haven’t you? I have heard tell of something of the kind, you know; is it true?”

Among all the incidents of the day, one recurred to his mind to the exclusion of the rest; although now that his self-control was regained, and he was no longer under the influence of a nightmare, he was able to think of it calmly. It concerned the knife on Rogojin’s table. “Why should not Rogojin have as many knives on his table as he chooses?” thought the prince, wondering at his suspicions, as he had done when he found himself looking into the cutler’s window. “What could it have to do with me?” he said to himself again, and stopped as if rooted to the ground by a kind of paralysis of limb such as attacks people under the stress of some humiliating recollection.

“It’s all his--the whole packet is for him, do you hear--all of you?” cried Nastasia Philipovna, placing the packet by the side of Gania. “He restrained himself, and didn’t go after it; so his self-respect is greater than his thirst for money. All right--he’ll come to directly--he must have the packet or he’ll cut his throat afterwards. There! He’s coming to himself. General, Totski, all of you, did you hear me? The money is all Gania’s. I give it to him, fully conscious of my action, as recompense for--well, for anything he thinks best. Tell him so. Let it lie here beside him. Off we go, Rogojin! Goodbye, prince. I have seen a man for the first time in my life. Goodbye, Afanasy Ivanovitch--and thanks!”

“And you, princess,” he went on, addressing Princess Bielokonski, “was it not you who received me in Moscow, six months since, as kindly as though I had been your own son, in response to a letter from Lizabetha Prokofievna; and gave me one piece of advice, again as to your own son, which I shall never forget? Do you remember?”

“Oh yes!” cried the prince, starting. “Hippolyte’s suicide--”
And suddenly, just as twice already he had awaked from sleep with the same vision, that very apparition now seemed to rise up before him. The woman appeared to step out from the park, and stand in the path in front of him, as though she had been waiting for him there.
“Lukianovitch.”
“Because I know all, all--and that is why I speak so. I know very well how you--half a year since--offered her your hand before everybody. Don’t interrupt me. You see, I am merely stating facts without any comment upon them. After that she ran away with Rogojin. Then you lived with her at some village or town, and she ran away from you.” (Aglaya blushed dreadfully.) “Then she returned to Rogojin again, who loves her like a madman. Then you--like a wise man as you are--came back here after her as soon as ever you heard that she had returned to Petersburg. Yesterday evening you sprang forward to protect her, and just now you dreamed about her. You see, I know all. You did come back here for her, for her--now didn’t you?”
“But why not now? I am ready to listen, and--”
“If you do not turn those dreadful people out of the house this very instant, I shall hate you all my life--all my life!” It was Aglaya. She seemed almost in a frenzy, but she turned away before the prince could look at her. However, there was no one left to turn out of the house, for they had managed meanwhile to get Hippolyte into the cab, and it had driven off.
The prince began to give his reasons, but she interrupted him again.
Gania stood before her, in his evening clothes, holding his white gloves and hat in his hand, speechless and motionless, with arms folded and eyes fixed on the fire.

“Why don’t you tell him about them?” said Vera impatiently to her father. “They will come in, whether you announce them or not, and they are beginning to make a row. Lef Nicolaievitch,”--she addressed herself to the prince--“four men are here asking for you. They have waited some time, and are beginning to make a fuss, and papa will not bring them in.”

“Why, open it, for the time being, don’t you know?” he said, most confidentially and mysteriously.
He suddenly took a seat, very unceremoniously, and began his story. It was very disconnected; the prince frowned, and wished he could get away; but suddenly a few words struck him. He sat stiff with wonder--Lebedeff said some extraordinary things.