“I was afraid,” he muttered, scarcely audibly, “but I hardly thought it would come to this.” Then after a short silence, he added: “However, in her state, it is quite consistent with the natural order of things.”
The flat was divided by a passage which led straight out of the entrance-hall. Along one side of this corridor lay the three rooms which were designed for the accommodation of the “highly recommended” lodgers. Besides these three rooms there was another small one at the end of the passage, close to the kitchen, which was allotted to General Ivolgin, the nominal master of the house, who slept on a wide sofa, and was obliged to pass into and out of his room through the kitchen, and up or down the back stairs. Colia, Gania’s young brother, a school-boy of thirteen, shared this room with his father. He, too, had to sleep on an old sofa, a narrow, uncomfortable thing with a torn rug over it; his chief duty being to look after his father, who needed to be watched more and more every day.
“Of course, of course, quite so; that’s what I am driving at!” continued Evgenie, excitedly. “It is as clear as possible, and most comprehensible, that you, in your enthusiasm, should plunge headlong into the first chance that came of publicly airing your great idea that you, a prince, and a pure-living man, did not consider a woman disgraced if the sin were not her own, but that of a disgusting social libertine! Oh, heavens! it’s comprehensible enough, my dear prince, but that is not the question, unfortunately! The question is, was there any reality and truth in your feelings? Was it nature, or nothing but intellectual enthusiasm? What do you think yourself? We are told, of course, that a far worse woman was _forgiven_, but we don’t find that she was told that she had done well, or that she was worthy of honour and respect! Did not your common-sense show you what was the real state of the case, a few months later? The question is now, not whether she is an innocent woman (I do not insist one way or the other--I do not wish to); but can her whole career justify such intolerable pride, such insolent, rapacious egotism as she has shown? Forgive me, I am too violent, perhaps, but--”
“What are you looking so surprised about, my friend?” asked Mrs. Epanchin, suddenly. “Did you suppose he was stupider than yourself, and was incapable of forming his own opinions, or what?”
“Aglaya Ivanovna, aren’t you ashamed of saying such a thing? How could such a horrible idea enter your sweet, innocent heart? I am certain you don’t believe a word of what you say, and probably you don’t even know what you are talking about.”
“Listen, Mr. Terentieff,” said Ptitsin, who had bidden the prince good-night, and was now holding out his hand to Hippolyte; “I think you remark in that manuscript of yours, that you bequeath your skeleton to the Academy. Are you referring to your own skeleton--I mean, your very bones?”

“Eighteen thousand roubles, for me? Why, you declare yourself a fool at once,” she said, with impudent familiarity, as she rose from the sofa and prepared to go. Gania watched the whole scene with a sinking of the heart.

“Get out, keep your distance!” shouted Rogojin.
“Now how on earth am I to announce a man like that?” muttered the servant. “In the first place, you’ve no right in here at all; you ought to be in the waiting-room, because you’re a sort of visitor--a guest, in fact--and I shall catch it for this. Look here, do you intend to take up you abode with us?” he added, glancing once more at the prince’s bundle, which evidently gave him no peace.
Here he rose again from his chair, so that it seemed strange that he should have thought it worth while to sit down at all.
“Well, what, general? Not quite good form, eh? Oh, nonsense! Here have I been sitting in my box at the French theatre for the last five years like a statue of inaccessible virtue, and kept out of the way of all admirers, like a silly little idiot! Now, there’s this man, who comes and pays down his hundred thousand on the table, before you all, in spite of my five years of innocence and proud virtue, and I dare be sworn he has his sledge outside waiting to carry me off. He values me at a hundred thousand! I see you are still angry with me, Gania! Why, surely you never really wished to take _me_ into your family? _me_, Rogojin’s mistress! What did the prince say just now?”
“And who told you this about Ferdishenko?” “Oh, what a dreadful calamity! A wretched vase smashed, and a man half dead with remorse about it,” said Lizabetha Prokofievna, loudly. “What made you so dreadfully startled, Lef Nicolaievitch?” she added, a little timidly. “Come, my dear boy! cheer up. You really alarm me, taking the accident so to heart.”

“You have!” cried Aglaya. “I might have guessed it. That’s a fitting crown to the rest of the story. If you have seen an execution, how can you say you lived happily all the while?”

“I wished to find out from you,” she said, firmly, “by what right you dare to meddle with his feelings for me? By what right you dared send me those letters? By what right do you continually remind both me and him that you love him, after you yourself threw him over and ran away from him in so insulting and shameful a way?”
Lebedeff strained his eyes and ears to take in what the prince was saying. The latter was frowning more and more, and walking excitedly up and down, trying not to look at Lebedeff.
“We haven’t met for some time. Meanwhile I have heard things about you which I should not have believed to be possible.”
Perhaps he was too easy in his mind. So thought Hippolyte, at all events, who met him in the park one day.
Arrived at the gate, the prince looked up at the legend over it, which ran:
“Nervous about you?” Aglaya blushed. “Why should I be nervous about you? What would it matter to me if you were to make ever such a fool of yourself? How can you say such a thing? What do you mean by ‘making a fool of yourself’? What a vulgar expression! I suppose you intend to talk in that sort of way tomorrow evening? Look up a few more such expressions in your dictionary; do, you’ll make a grand effect! I’m sorry that you seem to be able to come into a room as gracefully as you do; where did you learn the art? Do you think you can drink a cup of tea decently, when you know everybody is looking at you, on purpose to see how you do it?”
When the prince ceased speaking all were gazing merrily at him--even Aglaya; but Lizabetha Prokofievna looked the jolliest of all.
“Yes. Is it really so? However, it’s all the same to us, of course.”

“You drunken moujik,” said Daria Alexeyevna, once more. “You ought to be kicked out of the place.”

The old man was in a state of great mental perturbation. The whole of the journey, which occupied nearly an hour, he continued in this strain, putting questions and answering them himself, shrugging his shoulders, pressing the prince’s hand, and assuring the latter that, at all events, he had no suspicion whatever of _him_. This last assurance was satisfactory, at all events. The general finished by informing him that Evgenie’s uncle was head of one of the civil service departments, and rich, very rich, and a gourmand. “And, well, Heaven preserve him, of course--but Evgenie gets his money, don’t you see? But, for all this, I’m uncomfortable, I don’t know why. There’s something in the air, I feel there’s something nasty in the air, like a bat, and I’m by no means comfortable.”
“How subtle you are, Afanasy Ivanovitch! You astonish me,” cried Ferdishenko. “You will remark, gentlemen, that in saying that I could not recount the story of my theft so as to be believed, Afanasy Ivanovitch has very ingeniously implied that I am not capable of thieving--(it would have been bad taste to say so openly); and all the time he is probably firmly convinced, in his own mind, that I am very well capable of it! But now, gentlemen, to business! Put in your slips, ladies and gentlemen--is yours in, Mr. Totski? So--then we are all ready; now prince, draw, please.” The prince silently put his hand into the hat, and drew the names. Ferdishenko was first, then Ptitsin, then the general, Totski next, his own fifth, then Gania, and so on; the ladies did not draw.
“To the station, quick! If you catch the train you shall have another. Quick!”

“Yes!”

“Oh, damn the peasant girl! go on, go on!” said Gania, impatiently.

Rogojin listened to the prince’s excited words with a bitter smile. His conviction was, apparently, unalterable.

However, a week later she received another letter from the same source, and at last resolved to speak.

“Would Rogojin marry her, do you think?”

“No,” said the prince, “no, I do not love her. Oh! if you only knew with what horror I recall the time I spent with her!”

“Get away!” he shouted frantically, observing that Daria Alexeyevna was approaching to protest against Nastasia’s conduct. “Get away, she’s mine, everything’s mine! She’s a queen, get away!”
“Come, come! This is intolerable! You had better stop, you little mischief-making wretch!” cried Varia. Gania had grown very pale; he trembled, but said nothing.
“What do you say, sir?” growled the general, taking a step towards him.

“What sort of a face was I to draw? I couldn’t draw a mask.”

The prince thought he knew what Gania meant by “such a moment.”

“I am well enough; but is it really possible?--”
But Gania had borne too much that day, and especially this evening, and he was not prepared for this last, quite unexpected trial.
“I know their faces, too,” said the prince, with a peculiar stress on the words.
“Well, what, my dear girl? As if you can possibly like it yourself? The heart is the great thing, and the rest is all rubbish--though one must have sense as well. Perhaps sense is really the great thing. Don’t smile like that, Aglaya. I don’t contradict myself. A fool with a heart and no brains is just as unhappy as a fool with brains and no heart. I am one and you are the other, and therefore both of us suffer, both of us are unhappy.”

“He is a lodger of ours,” explained the latter.

“Send me back then this one word of sympathy, only sympathy, I swear to you; and oh! do not be angry with the audacity of despair, with the drowning man who has dared to make this last effort to save himself from perishing beneath the waters.

“Not for the world; he shall do just as he likes.”

I cannot say, either, whether she showed the letter to her sisters.

“This way--come along--I’ll show you.”

“They do not at all approve of women going to see an execution there. The women who do go are condemned for it afterwards in the newspapers.”
“I am very glad indeed to have met you here, Colia,” said the prince. “Can you do something for me? I must see Nastasia Philipovna, and I asked Ardalion Alexandrovitch just now to take me to her house, but he has gone to sleep, as you see. Will you show me the way, for I do not know the street? I have the address, though; it is close to the Grand Theatre.”
“Yes, I will if I may; and--can I take off my cloak”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

The conversation proceeded. The readiness of the fair-haired young man in the cloak to answer all his opposite neighbour’s questions was surprising. He seemed to have no suspicion of any impertinence or inappropriateness in the fact of such questions being put to him. Replying to them, he made known to the inquirer that he certainly had been long absent from Russia, more than four years; that he had been sent abroad for his health; that he had suffered from some strange nervous malady--a kind of epilepsy, with convulsive spasms. His interlocutor burst out laughing several times at his answers; and more than ever, when to the question, “whether he had been cured?” the patient replied:

“On the contrary, he seems to be very well brought up. His manners are excellent--but here he is himself. Here you are, prince--let me introduce you, the last of the Muishkins, a relative of your own, my dear, or at least of the same name. Receive him kindly, please. They’ll bring in lunch directly, prince; you must stop and have some, but you must excuse me. I’m in a hurry, I must be off--”

According to Lebedeff’s account, he had first tried what he could do with General Epanchin. The latter informed him that he wished well to the unfortunate young man, and would gladly do what he could to “save him,” but that he did not think it would be seemly for him to interfere in this matter. Lizabetha Prokofievna would neither hear nor see him. Prince S. and Evgenie Pavlovitch only shrugged their shoulders, and implied that it was no business of theirs. However, Lebedeff had not lost heart, and went off to a clever lawyer,--a worthy and respectable man, whom he knew well. This old gentleman informed him that the thing was perfectly feasible if he could get hold of competent witnesses as to Muishkin’s mental incapacity. Then, with the assistance of a few influential persons, he would soon see the matter arranged.
“Who are these people?” said the prince.
“Yes, she is inquisitive,” assented the prince.
“My dear fellow!” cried Prince S., with some annoyance, “don’t you see that he is chaffing you? He is simply laughing at you, and wants to make game of you.”
The prince noticed the sweet, welcoming look on Vera Lebedeff’s face, as she made her way towards him through the crowd. He held out his hand to her. She took it, blushing with delight, and wished him “a happy life from that day forward.” Then she ran off to the kitchen, where her presence was necessary to help in the preparations for supper. Before the prince’s arrival she had spent some time on the terrace, listening eagerly to the conversation, though the visitors, mostly under the influence of wine, were discussing abstract subjects far beyond her comprehension. In the next room her younger sister lay on a wooden chest, sound asleep, with her mouth wide open; but the boy, Lebedeff’s son, had taken up his position close beside Colia and Hippolyte, his face lit up with interest in the conversation of his father and the rest, to which he would willingly have listened for ten hours at a stretch.

“My eyes!” said Rogojin, really surprised at last. “The devil take the fellow, how does he know that?”

“I have told you all now, and of course you understand what I wish of you.”
“‘Child,’ he addressed me suddenly, ‘what do you think of our plan?’ Of course he only applied to me as a sort of toss-up, you know. I turned to Davoust and addressed my reply to him. I said, as though inspired:
“Oh, of course, yes; he would have come and wept out his secret on your bosom. Oh, you simpleton--you simpleton! Anyone can deceive you and take you in like a--like a,--aren’t you ashamed to trust him? Can’t you see that he humbugs you just as much as ever he pleases?”

This idea was, that if Rogojin were in Petersburg, though he might hide for a time, yet he was quite sure to come to him--the prince--before long, with either good or evil intentions, but probably with the same intention as on that other occasion. At all events, if Rogojin were to come at all he would be sure to seek the prince here--he had no other town address--perhaps in this same corridor; he might well seek him here if he needed him. And perhaps he did need him. This idea seemed quite natural to the prince, though he could not have explained why he should so suddenly have become necessary to Rogojin. Rogojin would not come if all were well with him, that was part of the thought; he would come if all were not well; and certainly, undoubtedly, all would not be well with him. The prince could not bear this new idea; he took his hat and rushed out towards the street. It was almost dark in the passage.

“I cannot sacrifice myself so, though I admit I did wish to do so once. Who knows, perhaps I still wish to! But I know for _certain_, that if she married me it would be her ruin; I know this and therefore I leave her alone. I ought to go to see her today; now I shall probably not go. She is proud, she would never forgive me the nature of the love I bear her, and we should both be ruined. This may be unnatural, I don’t know; but everything seems unnatural. You say she loves me, as if this were _love!_ As if she could love _me_, after what I have been through! No, no, it is not love.”

“Yes, but the prince can, because he is clever--cleverer than you are by ten or twenty times, if you like. There, that’s so, prince; and seriously, let’s drop the donkey now--what else did you see abroad, besides the donkey?” “Have you just seen Lizabetha Prokofievna?” asked the prince, scarcely believing his ears.

“I’ve brought your book back,” he began, indicating a book lying on the table. “Much obliged to you for lending it to me.”

“Oh, but Lebedeff cannot have been in Moscow in 1812. He is much too young; it is all nonsense.”

“Daria Alexeyevna also has a villa at Pavlofsk.”

For instance, when the whole essence of an ordinary person’s nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine--. I think such an individual really does become a type of his own--a type of commonplaceness which will not for the world, if it can help it, be contented, but strains and yearns to be something original and independent, without the slightest possibility of being so. To this class of commonplace people belong several characters in this novel;--characters which--I admit--I have not drawn very vividly up to now for my reader’s benefit.

But one very curious fact was that all the shame and vexation and mortification which he felt over the accident were less powerful than the deep impression of the almost supernatural truth of his premonition. He stood still in alarm--in almost superstitious alarm, for a moment; then all mists seemed to clear away from his eyes; he was conscious of nothing but light and joy and ecstasy; his breath came and went; but the moment passed. Thank God it was not that! He drew a long breath and looked around.
“I knew you would be at that hotel,” he continued, just as men sometimes commence a serious conversation by discussing any outside subject before leading up to the main point. “As I entered the passage it struck me that perhaps you were sitting and waiting for me, just as I was waiting for you. Have you been to the old lady at Ismailofsky barracks?”
It is true that they used to sit in the little summer-house together for an hour or two at a time, very often, but it was observed that on these occasions the prince would read the paper, or some book, aloud to Aglaya. “It appeared to me, at the first glance, that both the man and the woman were respectable people, but brought to that pitch of poverty where untidiness seems to get the better of every effort to cope with it, till at last they take a sort of bitter satisfaction in it. When I entered the room, the man, who had entered but a moment before me, and was still unpacking his parcels, was saying something to his wife in an excited manner. The news was apparently bad, as usual, for the woman began whimpering. The man’s face seemed to me to be refined and even pleasant. He was dark-complexioned, and about twenty-eight years of age; he wore black whiskers, and his lip and chin were shaved. He looked morose, but with a sort of pride of expression. A curious scene followed. The general left the room, and the prince never succeeded in broaching the business which he had on hand, though he had endeavoured to do so four times.
“Yes, it was a beautiful turn-out, certainly!”
“Oh, don’t, don’t!” she exclaimed in alarm, snatching her hand away. She went hastily out of the room in a state of strange confusion.
They were all laughing, and the guest joined in the chorus.
“What? Impossible! To Nastasia Philipovna? Nonsense!” cried the prince.
“I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!” Aglaya merely glanced at the portrait--frowned, and put out her underlip; then went and sat down on the sofa with folded hands. Mrs. Epanchin rang the bell.
“Oho! we’ll make Nastasia Philipovna sing another song now!” giggled Lebedeff, rubbing his hands with glee. “Hey, my boy, we’ll get her some proper earrings now! We’ll get her such earrings that--”

“Ye-yes.”

“No, don’t read it!” cried Evgenie suddenly. He appeared so strangely disturbed that many of those present could not help wondering.

“Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture.

“Mamma, it’s rather a strange order, that!” said Adelaida, who was fussing among her paints and paint-brushes at the easel. Aglaya and Alexandra had settled themselves with folded hands on a sofa, evidently meaning to be listeners. The prince felt that the general attention was concentrated upon himself.

“It is not a Christian religion, in the first place,” said the latter, in extreme agitation, quite out of proportion to the necessity of the moment. “And in the second place, Roman Catholicism is, in my opinion, worse than Atheism itself. Yes--that is my opinion. Atheism only preaches a negation, but Romanism goes further; it preaches a disfigured, distorted Christ--it preaches Anti-Christ--I assure you, I swear it! This is my own personal conviction, and it has long distressed me. The Roman Catholic believes that the Church on earth cannot stand without universal temporal Power. He cries ‘non possumus!’ In my opinion the Roman Catholic religion is not a faith at all, but simply a continuation of the Roman Empire, and everything is subordinated to this idea--beginning with faith. The Pope has seized territories and an earthly throne, and has held them with the sword. And so the thing has gone on, only that to the sword they have added lying, intrigue, deceit, fanaticism, superstition, swindling;--they have played fast and loose with the most sacred and sincere feelings of men;--they have exchanged everything--everything for money, for base earthly _power!_ And is this not the teaching of Anti-Christ? How could the upshot of all this be other than Atheism? Atheism is the child of Roman Catholicism--it proceeded from these Romans themselves, though perhaps they would not believe it. It grew and fattened on hatred of its parents; it is the progeny of their lies and spiritual feebleness. Atheism! In our country it is only among the upper classes that you find unbelievers; men who have lost the root or spirit of their faith; but abroad whole masses of the people are beginning to profess unbelief--at first because of the darkness and lies by which they were surrounded; but now out of fanaticism, out of loathing for the Church and Christianity!”

The prince walked along, musing. He did not like his commission, and disliked the idea of Gania sending a note to Aglaya at all; but when he was two rooms distant from the drawing-room, where they all were, he stopped as though recalling something; went to the window, nearer the light, and began to examine the portrait in his hand.

“Perhaps he is drunk? Your company is rather peculiar,” she added, with a glance at the other guests....
“But, my dear fellow, what are you doing, what do you mean?”
With a grave and ceremonious air, Marfa Borisovna motioned the prince to a chair at one of the card-tables. She seated herself opposite, leaned her right cheek on her hand, and sat in silence, her eyes fixed on Muishkin, now and again sighing deeply. The three children, two little girls and a boy, Lenotchka being the eldest, came and leant on the table and also stared steadily at him. Presently Colia appeared from the adjoining room.
“Well, only for the sake of a lady,” said Hippolyte, laughing. “I am ready to put off the reckoning, but only put it off, Varvara Ardalionovna, because an explanation between your brother and myself has become an absolute necessity, and I could not think of leaving the house without clearing up all misunderstandings first.”
But the situation was becoming rapidly critical.

So saying, she reseated herself; a strange smile played on her lips. She sat quite still, but watched the door in a fever of impatience.

The prince approached Evgenie Pavlovitch last of all. The latter immediately took his arm.