“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

“That she did not disgrace me at Moscow with that officer, Zemtuznikoff? I know for certain she did, after having fixed our marriage-day herself!”

“In my opinion, you are far from a fool sometimes--in fact, you are very intelligent. You said a very clever thing just now about my being unjust because I had _only_ justice. I shall remember that, and think about it.”

“The prince will begin by singing us a fashionable ditty,” remarked Ferdishenko, and looked at the mistress of the house, to see what she would say.

“No,--the thing is, I was telling all about the execution a little while ago, and--”

The whole of Rogojin’s being was concentrated in one rapturous gaze of ecstasy. He could not take his eyes off Nastasia. He stood drinking her in, as it were. He was in the seventh heaven of delight.

He laid much stress on the genius of the sufferer, as if this idea must be one of immense solace in the present crisis.

“Only quite lately. His sister has been working like a rat to clear the way for him all the winter.”

There was much more of this delirious wandering in the letters--one of them was very long.

Mrs. Epanchin gazed keenly into the prince’s eyes. She was anxious to see what impression the news as to Evgenie Pavlovitch had made upon him.

“And do you not live in idleness?”

But Vera, simple-minded little girl that she was (just like a boy, in fact), here became dreadfully confused, of a sudden, and ran hastily out of the room, laughing and blushing.

Lizabetha Prokofievna saw that she returned in such a state of agitation that it was doubtful whether she had even heard their calls. But only a couple of minutes later, when they had reached the park, Aglaya suddenly remarked, in her usual calm, indifferent voice:

He saw, for instance, that one important dignitary, old enough to be his grandfather, broke off his own conversation in order to listen to _him_--a young and inexperienced man; and not only listened, but seemed to attach value to his opinion, and was kind and amiable, and yet they were strangers and had never seen each other before. Perhaps what most appealed to the prince’s impressionability was the refinement of the old man’s courtesy towards him. Perhaps the soil of his susceptible nature was really predisposed to receive a pleasant impression.

“This is not my own fantastical opinion--many people have thought the same; but I feel it so deeply that I’ll tell you what I think. I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy--at all events hoping on in some degree--even after his throat was cut. But in the case of an execution, that last hope--having which it is so immeasurably less dreadful to die,--is taken away from the wretch and _certainty_ substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death--which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him--and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary--why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!”

“Duel! You’ve come to talk about a duel, too!” The prince burst out laughing, to the great astonishment of Keller. He laughed unrestrainedly, and Keller, who had been on pins and needles, and in a fever of excitement to offer himself as “second,” was very near being offended.

He jumped up and hurried off, remembering suddenly that he was wanted at his father’s bedside; but before he went out of the room he inquired hastily after the prince’s health, and receiving the latter’s reply, added:

So saying, she scornfully rose from her seat as though to depart.

“I should think not. Go on.”

“Oh, why not?” the prince insisted, with some warmth. “When I was in Basle I saw a picture very much in that style--I should like to tell you about it; I will some time or other; it struck me very forcibly.”

“Oh well; I caught it quite hot enough today, thanks to you. However, I forgive you.”

“What extraordinary people they are!” thought Prince S., for perhaps the hundredth time since he had entered into intimate relations with the family; but--he liked these “extraordinary people,” all the same. As for Prince Lef Nicolaievitch himself, Prince S. did not seem quite to like him, somehow. He was decidedly preoccupied and a little disturbed as they all started off.

“I know nothing about that; what else?”

In reply to a very guarded question of her sisters’, Aglaya had answered coldly, but exceedingly haughtily:

“‘Profoundest respect!’ What nonsense! First, insane giggling, and then, all of a sudden, a display of ‘profoundest respect.’ Why respect? Tell me at once, why have you suddenly developed this ‘profound respect,’ eh?”