But Lizabetha Prokofievna felt somewhat consoled when she could say that one of her girls, Adelaida, was settled at last. “It will be one off our hands!” she declared aloud, though in private she expressed herself with greater tenderness. The engagement was both happy and suitable, and was therefore approved in society. Prince S. was a distinguished man, he had money, and his future wife was devoted to him; what more could be desired? Lizabetha Prokofievna had felt less anxious about this daughter, however, although she considered her artistic tastes suspicious. But to make up for them she was, as her mother expressed it, “merry,” and had plenty of “common-sense.” It was Aglaya’s future which disturbed her most. With regard to her eldest daughter, Alexandra, the mother never quite knew whether there was cause for anxiety or not. Sometimes she felt as if there was nothing to be expected from her. She was twenty-five now, and must be fated to be an old maid, and “with such beauty, too!” The mother spent whole nights in weeping and lamenting, while all the time the cause of her grief slumbered peacefully. “What is the matter with her? Is she a Nihilist, or simply a fool?”

“Do you know, though,” cried the prince warmly, “you made that remark now, and everyone says the same thing, and the machine is designed with the purpose of avoiding pain, this guillotine I mean; but a thought came into my head then: what if it be a bad plan after all? You may laugh at my idea, perhaps--but I could not help its occurring to me all the same. Now with the rack and tortures and so on--you suffer terrible pain of course; but then your torture is bodily pain only (although no doubt you have plenty of that) until you die. But _here_ I should imagine the most terrible part of the whole punishment is, not the bodily pain at all--but the certain knowledge that in an hour,--then in ten minutes, then in half a minute, then now--this very _instant_--your soul must quit your body and that you will no longer be a man--and that this is certain, _certain_! That’s the point--the certainty of it. Just that instant when you place your head on the block and hear the iron grate over your head--then--that quarter of a second is the most awful of all.

“Yes, me, of course! Of course you were afraid of me, or you would not have decided to come. You cannot despise one you fear. And to think that I have actually esteemed you up to this very moment! Do you know why you are afraid of me, and what is your object now? You wished to satisfy yourself with your own eyes as to which he loves best, myself or you, because you are fearfully jealous.”

“I am very glad, too, because she is often laughed at by people. But listen to the chief point. I have long thought over the matter, and at last I have chosen you. I don’t wish people to laugh at me; I don’t wish people to think me a ‘little fool.’ I don’t want to be chaffed. I felt all this of a sudden, and I refused Evgenie Pavlovitch flatly, because I am not going to be forever thrown at people’s heads to be married. I want--I want--well, I’ll tell you, I wish to run away from home, and I have chosen you to help me.”

“I’ll come tomorrow. Now I’m going home--are you coming to my house?”

“I confess this disturbs me a good deal. Someone must have picked it up, then.”

“Rogojin was evidently by no means pleased to see me, and hinted, delicately, that he saw no reason why our acquaintance should continue. For all that, however, I spent a very interesting hour, and so, I dare say, did he. There was so great a contrast between us that I am sure we must both have felt it; anyhow, I felt it acutely. Here was I, with my days numbered, and he, a man in the full vigour of life, living in the present, without the slightest thought for ‘final convictions,’ or numbers, or days, or, in fact, for anything but that which-which--well, which he was mad about, if he will excuse me the expression--as a feeble author who cannot express his ideas properly.

“She is there at this moment?”

III.