“‘I think you dropped this,’ I remarked, as quietly and drily as I could. (I thought it best to treat him so.) For some while he stood before me in downright terror, and seemed unable to understand. He then suddenly grabbed at his side-pocket, opened his mouth in alarm, and beat his forehead with his hand.
“Why?” asked Alexandra.
“Such beauty is real power,” said Adelaida. “With such beauty as that one might overthrow the world.” She returned to her easel thoughtfully.
“Quite so--parties--you are very right,” said the prince. “I was reading a book about Napoleon and the Waterloo campaign only the other day, by Charasse, in which the author does not attempt to conceal his joy at Napoleon’s discomfiture at every page. Well now, I don’t like that; it smells of ‘party,’ you know. You are quite right. And were you much occupied with your service under Napoleon?”
“What did you mean, sir, that he didn’t exist? Explain yourself,” he repeated, angrily.
“Well, in a couple of days I was known all over the palace and the Kremlin as ‘le petit boyard.’ I only went home to sleep. They were nearly out of their minds about me at home. A couple of days after this, Napoleon’s page, De Bazancour, died; he had not been able to stand the trials of the campaign. Napoleon remembered me; I was taken away without explanation; the dead page’s uniform was tried on me, and when I was taken before the emperor, dressed in it, he nodded his head to me, and I was told that I was appointed to the vacant post of page.

“Really, Lebedeff, I must leave your house. Where are Gavrila Ardalionovitch and the Ptitsins? Are they here? Have you chased them away, too?”

“I shall,” said the prince, with gentle humility.
“I think I ought to tell you, Gavrila Ardalionovitch,” said the prince, suddenly, “that though I once was so ill that I really was little better than an idiot, yet now I am almost recovered, and that, therefore, it is not altogether pleasant to be called an idiot to my face. Of course your anger is excusable, considering the treatment you have just experienced; but I must remind you that you have twice abused me rather rudely. I do not like this sort of thing, and especially so at the first time of meeting a man, and, therefore, as we happen to be at this moment standing at a crossroad, don’t you think we had better part, you to the left, homewards, and I to the right, here? I have twenty-five roubles, and I shall easily find a lodging.”

“I don’t know. Perhaps it was that I seemed to come upon light in the midst of my gloom. I told you the truth when I said I did not know why I thought of you before all others. Of course it was all a sort of dream, a dream amidst the horrors of reality. Afterwards I began to work. I did not intend to come back here for two or three years--”

“The necessity of eating and drinking, that is to say, solely the instinct of self-preservation...”

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

Hippolyte, who had fallen asleep during Lebedeff’s discourse, now suddenly woke up, just as though someone had jogged him in the side. He shuddered, raised himself on his arm, gazed around, and grew very pale. A look almost of terror crossed his face as he recollected. “Yes... from you it is quite natural.”
For instance, when the whole essence of an ordinary person’s nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine--. I think such an individual really does become a type of his own--a type of commonplaceness which will not for the world, if it can help it, be contented, but strains and yearns to be something original and independent, without the slightest possibility of being so. To this class of commonplace people belong several characters in this novel;--characters which--I admit--I have not drawn very vividly up to now for my reader’s benefit.
“I don’t think they often kill each other at duels.”
“Not for the world; he shall do just as he likes.”

“Oh yes, but that is not enough.”

“Ah! Well, if it was Rogojin--but do you know what she writes to me about?”
“Well--just for one second, then. The fact is, I came for advice. Of course I live now without any very practical objects in life; but, being full of self-respect, in which quality the ordinary Russian is so deficient as a rule, and of activity, I am desirous, in a word, prince, of placing myself and my wife and children in a position of--in fact, I want advice.”
About seven in the evening, soon after dinner, he arrived. At the first glance it struck the prince that he, at any rate, must know all the details of last night’s affair. Indeed, it would have been impossible for him to remain in ignorance considering the intimate relationship between him, Varvara Ardalionovna, and Ptitsin. But although he and the prince were intimate, in a sense, and although the latter had placed the Burdovsky affair in his hands--and this was not the only mark of confidence he had received--it seemed curious how many matters there were that were tacitly avoided in their conversations. Muishkin thought that Gania at times appeared to desire more cordiality and frankness. It was apparent now, when he entered, that he was convinced that the moment for breaking the ice between them had come at last.
“They are Nihilists, are they not?”
“You don’t care to oblige us?” asked Nastasia.
The words were hardly out of her mouth, when Lebedeff dragged Vera forward, in order to present her. “Oh, no, no!” said the prince at last, “that was not what I was going to say--oh no! I don’t think you would ever have been like Osterman.”

Alexandra and Adelaida came in almost immediately, and looked inquiringly at the prince and their mother.

“How pale you have grown!” cried Aglaya in alarm.
Sure enough there was something sticking out of the front of the coat--something large. It certainly felt as though it might well be the purse fallen through a hole in the pocket into the lining.
The Rogojin gang followed their leader and Nastasia Philipovna to the entrance-hall, laughing and shouting and whistling.
Lizabetha Prokofievna placed a chair for him with her own hands.

“Nor the general? Ha, ha, ha!”

“It’s going to be atrociously hot again all day,” said Gania, with an air of annoyance, taking his hat. “A month of this... Are you coming home, Ptitsin?” Hippolyte listened to this in amazement, almost amounting to stupefaction. Suddenly he became deadly pale and shuddered.

“Well, it was clear enough all along,” he said, after a moment’s reflection. “So that’s the end,” he added, with a disagreeable smile, continuing to walk up and down the room, but much slower than before, and glancing slyly into his sister’s face.
The prince was touched; he took Gania’s hands, and embraced him heartily, while each kissed the other.
“You know quite well, but you are pretending to be ignorant,” said Aglaya, very low, with her eyes on the ground.
But he, perhaps, did not understand the full force of this challenge; in fact, it is certain he did not. All he could see was the poor despairing face which, as he had said to Aglaya, “had pierced his heart for ever.”
The prince rang the bell, and asked for Nastasia Philipovna. The lady of the house came out, and stated that Nastasia had gone to stay with Daria Alexeyevna at Pavlofsk, and might be there some days.
One day, however, he and Lizabetha Prokofievna quarrelled seriously about the “woman question,” in the course of a lively discussion on that burning subject. He told her that she was a tyrant, and that he would never set foot in her house again. It may seem incredible, but a day or two after, Madame Epanchin sent a servant with a note begging him to return, and Colia, without standing on his dignity, did so at once.
Mrs. Epanchin examined the portrait of Nastasia Philipovna for some little while, holding it critically at arm’s length.
“Oh, now you are going to praise him! He will be set up! He puts his hand on his heart, and he is delighted! I never said he was a man without heart, but he is a rascal--that’s the pity of it. And then, he is addicted to drink, and his mind is unhinged, like that of most people who have taken more than is good for them for years. He loves his children--oh, I know that well enough! He respected my aunt, his late wife... and he even has a sort of affection for me. He has remembered me in his will.” “No, but you--” “Oh dear no! Why--” “Her own position?” prompted Gania. “She does understand. Don’t be annoyed with her. I have warned her not to meddle in other people’s affairs. However, although there’s comparative peace at home at present, the storm will break if anything is finally settled tonight.”
“Prince Lef Nicolaievitch Muishkin,” replied the latter, with perfect readiness.
But Lizabetha Prokofievna felt somewhat consoled when she could say that one of her girls, Adelaida, was settled at last. “It will be one off our hands!” she declared aloud, though in private she expressed herself with greater tenderness. The engagement was both happy and suitable, and was therefore approved in society. Prince S. was a distinguished man, he had money, and his future wife was devoted to him; what more could be desired? Lizabetha Prokofievna had felt less anxious about this daughter, however, although she considered her artistic tastes suspicious. But to make up for them she was, as her mother expressed it, “merry,” and had plenty of “common-sense.” It was Aglaya’s future which disturbed her most. With regard to her eldest daughter, Alexandra, the mother never quite knew whether there was cause for anxiety or not. Sometimes she felt as if there was nothing to be expected from her. She was twenty-five now, and must be fated to be an old maid, and “with such beauty, too!” The mother spent whole nights in weeping and lamenting, while all the time the cause of her grief slumbered peacefully. “What is the matter with her? Is she a Nihilist, or simply a fool?”