The prince glanced at it, but took no further notice. He moved on hastily, as though anxious to get out of the house. But Rogojin suddenly stopped underneath the picture.

“Get out of this, you drunken beast!” cried Gania, who was red and white by turns.

“I am going away tomorrow, as you bade me--I won’t write--so that this is the last time I shall see you, the last time! This is really the _last time!_”

V.

“The very time when he was cringing before you and making protestations of devotion! Oh, the mean wretches! I will have nothing to do with your Pushkin, and your daughter shall not set foot in my house!”

The following report of the proceedings on the wedding day may be depended upon, as coming from eye-witnesses.

“Ah!” cried Hippolyte, turning towards Evgenie Pavlovitch, and looking at him with a queer sort of curiosity.
“If anyone had treated me so,” grumbled the boxer.

“Who, in the name of what Law, would think of disputing my full personal right over the fortnight of life left to me? What jurisdiction can be brought to bear upon the case? Who would wish me, not only to be sentenced, but to endure the sentence to the end? Surely there exists no man who would wish such a thing--why should anyone desire it? For the sake of morality? Well, I can understand that if I were to make an attempt upon my own life while in the enjoyment of full health and vigour--my life which might have been ‘useful,’ etc., etc.--morality might reproach me, according to the old routine, for disposing of my life without permission--or whatever its tenet may be. But now, _now_, when my sentence is out and my days numbered! How can morality have need of my last breaths, and why should I die listening to the consolations offered by the prince, who, without doubt, would not omit to demonstrate that death is actually a benefactor to me? (Christians like him always end up with that--it is their pet theory.) And what do they want with their ridiculous ‘Pavlofsk trees’? To sweeten my last hours? Cannot they understand that the more I forget myself, the more I let myself become attached to these last illusions of life and love, by means of which they try to hide from me Meyer’s wall, and all that is so plainly written on it--the more unhappy they make me? What is the use of all your nature to me--all your parks and trees, your sunsets and sunrises, your blue skies and your self-satisfied faces--when all this wealth of beauty and happiness begins with the fact that it accounts me--only me--one too many! What is the good of all this beauty and glory to me, when every second, every moment, I cannot but be aware that this little fly which buzzes around my head in the sun’s rays--even this little fly is a sharer and participator in all the glory of the universe, and knows its place and is happy in it;--while I--only I, am an outcast, and have been blind to the fact hitherto, thanks to my simplicity! Oh! I know well how the prince and others would like me, instead of indulging in all these wicked words of my own, to sing, to the glory and triumph of morality, that well-known verse of Gilbert’s:

“‘Maybe sad Love upon his setting smiles, And with vain hopes his farewell hour beguiles.’

“Water or the knife?” said the latter, at last. “Ha, ha--that’s exactly why she is going to marry me, because she knows for certain that the knife awaits her. Prince, can it be that you don’t even yet see what’s at the root of it all?”
“But do you know what I have been thinking out during this last week, Parfen? I’ll tell you. What if she loves you now better than anyone? And what if she torments you _because_ she loves you, and in proportion to her love for you, so she torments you the more? She won’t tell you this, of course; you must have eyes to see. Why do you suppose she consents to marry you? She must have a reason, and that reason she will tell you some day. Some women desire the kind of love you give her, and she is probably one of these. Your love and your wild nature impress her. Do you know that a woman is capable of driving a man crazy almost, with her cruelties and mockeries, and feels not one single pang of regret, because she looks at him and says to herself, ‘There! I’ll torment this man nearly into his grave, and then, oh! how I’ll compensate him for it all with my love!’”
“Well, when we tried it we were a party of people, like this, for instance; and somebody proposed that each of us, without leaving his place at the table, should relate something about himself. It had to be something that he really and honestly considered the very worst action he had ever committed in his life. But he was to be honest--that was the chief point! He wasn’t to be allowed to lie.”
And he handed the prince the very letter from Aglaya to Gania, which the latter showed with so much triumph to his sister at a later hour.
“Of railways?” put in Colia eagerly.
“Are you tempting me to box your ears for you, or what?”
“Probably there’s some new silliness about it,” said Mrs. Epanchin, sarcastically.
“Four years! and I was in the same place nearly all the time,--in one village.”
A few moments passed as they stood there face to face, Gania still holding her wrist tightly. Varia struggled once--twice--to get free; then could restrain herself no longer, and spat in his face.
“You are always preaching about resting; you are a regular nurse to me, prince. As soon as the sun begins to ‘resound’ in the sky--what poet said that? ‘The sun resounded in the sky.’ It is beautiful, though there’s no sense in it!--then we will go to bed. Lebedeff, tell me, is the sun the source of life? What does the source, or ‘spring,’ of life really mean in the Apocalypse? You have heard of the ‘Star that is called Wormwood,’ prince?”
Meanwhile the daylight grew full and strong; and at last the prince lay down, as though overcome by despair, and laid his face against the white, motionless face of Rogojin. His tears flowed on to Rogojin’s cheek, though he was perhaps not aware of them himself.
“Here,” laughed Lebedeff, at last, rising to his full height and looking pleasantly at the prince, “here, in the lining of my coat. Look, you can feel it for yourself, if you like!”

“You’ve been _there?_” he asked, suddenly.

Lizabetha Prokofievna received confirmatory news from the princess--and alas, two months after the prince’s first departure from St. Petersburg, darkness and mystery once more enveloped his whereabouts and actions, and in the Epanchin family the ice of silence once more formed over the subject. Varia, however, informed the girls of what had happened, she having received the news from Ptitsin, who generally knew more than most people.

The staircase led to the first and second corridors of the hotel, along which lay the guests’ bedrooms. As is often the case in Petersburg houses, it was narrow and very dark, and turned around a massive stone column.

“Allow me, gentlemen,” said Gavrila Ardalionovitch, who had just examined the contents of the envelope, “there are only a hundred roubles here, not two hundred and fifty. I point this out, prince, to prevent misunderstanding.”

“There were a couple of old bullets in the bag which contained the pistol, and powder enough in an old flask for two or three charges.

“We are neighbours, so will you be so kind as to come over one day and explain the Apocalypse to me?” said Aglaya. “I do not understand it in the least.”
However, I hope I shall not interfere with the proper sequence of my narrative too much, if I diverge for a moment at this point, in order to explain the mutual relations between General Epanchin’s family and others acting a part in this history, at the time when we take up the thread of their destiny. I have already stated that the general, though he was a man of lowly origin, and of poor education, was, for all that, an experienced and talented husband and father. Among other things, he considered it undesirable to hurry his daughters to the matrimonial altar and to worry them too much with assurances of his paternal wishes for their happiness, as is the custom among parents of many grown-up daughters. He even succeeded in ranging his wife on his side on this question, though he found the feat very difficult to accomplish, because unnatural; but the general’s arguments were conclusive, and founded upon obvious facts. The general considered that the girls’ taste and good sense should be allowed to develop and mature deliberately, and that the parents’ duty should merely be to keep watch, in order that no strange or undesirable choice be made; but that the selection once effected, both father and mother were bound from that moment to enter heart and soul into the cause, and to see that the matter progressed without hindrance until the altar should be happily reached.

“Marie Alexandrovna is not at home,” said she, staring hard at the general. “She has gone to her mother’s, with Alexandra Michailovna.”

Nastasia Philipovna was ready. She rose from her seat, looked into the glass and remarked, as Keller told the tale afterwards, that she was “as pale as a corpse.” She then bent her head reverently, before the ikon in the corner, and left the room.
She did not finish her indefinite sentence; she restrained herself in a moment; but it was enough.
The prince jumped up from his seat in renewed terror. When Rogojin quieted down (which he did at once) the prince bent over him, sat down beside him, and with painfully beating heart and still more painful breath, watched his face intently. Rogojin never turned his head, and seemed to have forgotten all about him. The prince watched and waited. Time went on--it began to grow light.
“Hey! look at it, it’ll burn in another minute or two!” cried Nastasia Philipovna. “You’ll hang yourself afterwards, you know, if it does! I’m not joking.”
At this idea, he burst out laughing all at once, in quite unaffected mirth, and without giving any explanation. “I am intoxicated, general. I am having a day out, you know--it’s my birthday! I have long looked forward to this happy occasion. Daria Alexeyevna, you see that nosegay-man, that Monsieur aux Camelias, sitting there laughing at us?”
“Oh, don’t, don’t!” she exclaimed in alarm, snatching her hand away. She went hastily out of the room in a state of strange confusion.
“Oh prince, prince! I never should have thought it of you;” said General Epanchin. “And I imagined you a philosopher! Oh, you silent fellows!”
He caught sight of something flashing in Hippolyte’s right hand, and saw that it was a pistol. He rushed at him, but at that very instant Hippolyte raised the pistol to his temple and pulled the trigger. There followed a sharp metallic click, but no report.
“So that is true, is it?” cried the prince, greatly agitated. “I had heard a report of it, but would not believe it.”

“Nonsense!” said the prince, angrily, turning round upon him.

It would be difficult to describe her thoughts at that moment. One of them was, “Shall I show it to anyone?” But she was ashamed to show it. So she ended by hiding it in her table drawer, with a very strange, ironical smile upon her lips.
“The vase certainly was a very beautiful one. I remember it here for fifteen years--yes, quite that!” remarked Ivan Petrovitch.

It was “heads.”

“Most wonderfully so,” said the latter, warmly, gazing at Aglaya with admiration. “Almost as lovely as Nastasia Philipovna, but quite a different type.”
“Well, yes--but we call it from the Jesuits, you know; it comes to the same thing,” laughed the old fellow, delighted with the pleasant recollection.
Thanks to the manner in which he regarded Nastasia’s mental and moral condition, the prince was to some extent freed from other perplexities. She was now quite different from the woman he had known three months before. He was not astonished, for instance, to see her now so impatient to marry him--she who formerly had wept with rage and hurled curses and reproaches at him if he mentioned marriage! “It shows that she no longer fears, as she did then, that she would make me unhappy by marrying me,” he thought. And he felt sure that so sudden a change could not be a natural one. This rapid growth of self-confidence could not be due only to her hatred for Aglaya. To suppose that would be to suspect the depth of her feelings. Nor could it arise from dread of the fate that awaited her if she married Rogojin. These causes, indeed, as well as others, might have played a part in it, but the true reason, Muishkin decided, was the one he had long suspected--that the poor sick soul had come to the end of its forces. Yet this was an explanation that did not procure him any peace of mind. At times he seemed to be making violent efforts to think of nothing, and one would have said that he looked on his marriage as an unimportant formality, and on his future happiness as a thing not worth considering. As to conversations such as the one held with Evgenie Pavlovitch, he avoided them as far as possible, feeling that there were certain objections to which he could make no answer. “Insinuation? Oh! I assure you, I take your word for it.” And the prince continued laughing merrily.
“I have not been in love,” said the prince, as quietly and seriously as before. “I have been happy in another way.”
“By all means! I assure you I am delighted--you need not have entered into all these explanations. As for your remarks about friendship with me--thanks, very much indeed. You must excuse my being a little absent this evening. Do you know, I cannot somehow be attentive to anything just now?”

“Why not? Certainly he would, I should think. He would marry her tomorrow!--marry her tomorrow and murder her in a week!”

“Keller is my name, sir; ex-lieutenant,” he said, very loud. “If you will accept me as champion of the fair sex, I am at your disposal. English boxing has no secrets from me. I sympathize with you for the insult you have received, but I can’t permit you to raise your hand against a woman in public. If you prefer to meet me--as would be more fitting to your rank--in some other manner, of course you understand me, captain.”

“You intend to introduce the prince?” asked Colia, as they went up.

“Very well.”
“Impossible?” cried Keller, almost pityingly. “Oh prince, how little you really seem to understand human nature!”
Everyone seemed to be speaking prophetically, hinting at some misfortune or sorrow to come; they had all looked at him as though they knew something which he did not know. Lebedeff had asked questions, Colia had hinted, and Vera had shed tears. What was it?
Mrs. Epanchin could bear her suspense no longer, and in spite of the opposition of husband and daughters, she sent for Aglaya, determined to get a straightforward answer out of her, once for all.
“Bah! you wish to hear a man tell of his worst actions, and you expect the story to come out goody-goody! One’s worst actions always are mean. We shall see what the general has to say for himself now. All is not gold that glitters, you know; and because a man keeps his carriage he need not be specially virtuous, I assure you, all sorts of people keep carriages. And by what means?”

“This--this is going beyond all limits!” said Lizabetha Prokofievna, suddenly alarmed.

“Very well.”

“Really, prince, I hardly expected after--after all our friendly intercourse--and you see, Lizabetha Prokofievna--”

“Prince,” he cried, “you are forgetting that if you consented to receive and hear them, it was only because of your kind heart which has no equal, for they had not the least right to demand it, especially as you had placed the matter in the hands of Gavrila Ardalionovitch, which was also extremely kind of you. You are also forgetting, most excellent prince, that you are with friends, a select company; you cannot sacrifice them to these gentlemen, and it is only for you to have them turned out this instant. As the master of the house I shall have great pleasure ....”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
Before very long two or three young men had come up, and one or two remained to talk; all of these young men appeared to be on intimate terms with Evgenie Pavlovitch. Among them was a young officer, a remarkably handsome fellow--very good-natured and a great chatterbox. He tried to get up a conversation with Aglaya, and did his best to secure her attention. Aglaya behaved very graciously to him, and chatted and laughed merrily. Evgenie Pavlovitch begged the prince’s leave to introduce their friend to him. The prince hardly realized what was wanted of him, but the introduction came off; the two men bowed and shook hands.
“There, look at her now--Ivan Fedorovitch! Here she is--all of her! This is our _real_ Aglaya at last!” said Lizabetha Prokofievna.
“No, no! Heaven forbid that we should bring Nina Alexandrovna into this business! Or Colia, either. But perhaps I have not yet quite understood you, Lebedeff?”
“The child she carries is an orphan, too. She is Vera’s sister, my daughter Luboff. The day this babe was born, six weeks ago, my wife died, by the will of God Almighty.... Yes... Vera takes her mother’s place, though she is but her sister... nothing more... nothing more...” “Oh, I happened to recall it, that’s all! It fitted into the conversation--”
“What an idea! Of course not. And what are you blushing for again? And there comes that frown once more! You’ve taken to looking too gloomy sometimes, Aglaya, much more than you used to. I know why it is.”

“Mother, this is disgraceful!” cried Aglaya.

We said at the beginning of our story, that the Epanchins were liked and esteemed by their neighbours. In spite of his humble origin, Ivan Fedorovitch himself was received everywhere with respect. He deserved this, partly on account of his wealth and position, partly because, though limited, he was really a very good fellow. But a certain limitation of mind seems to be an indispensable asset, if not to all public personages, at least to all serious financiers. Added to this, his manner was modest and unassuming; he knew when to be silent, yet never allowed himself to be trampled upon. Also--and this was more important than all--he had the advantage of being under exalted patronage.

“Nastasia Philipovna! Nastasia Philipovna!”

At this moment Gania and Ptitsin entered the room together, and Nina Alexandrovna immediately became silent again. The prince remained seated next to her, but Varia moved to the other end of the room; the portrait of Nastasia Philipovna remained lying as before on the work-table. Gania observed it there, and with a frown of annoyance snatched it up and threw it across to his writing-table, which stood at the other end of the room.

“And this is the very day that they were to announce the engagement! What will she do next?”
“Oh! that’s enough in all conscience! Pray for whom you choose, and the devil take them and you! We have a scholar here; you did not know that, prince?” he continued, with a sneer. “He reads all sorts of books and memoirs now.”
“What Osterman?” asked the prince in some surprise.
“Oh--if that is the state of affairs--” began Gania.
“Ah, he’s ashamed to! He _meant_ to ask you, I know, for he said so. I suppose he thinks that as you gave him some once (you remember), you would probably refuse if he asked you again.”