“Wheugh! my goodness!” The black-haired young fellow whistled, and then laughed.

“It is the _heart_ which is the best teacher of refinement and dignity, not the dancing-master,” said her mother, sententiously, and departed upstairs to her own room, not so much as glancing at Aglaya.

“What’s true? What’s all this? What’s true?” said an alarmed voice just beside them.

Nastasia seemed to Totski to have divined all this, and to be preparing something on her own account, which frightened him to such an extent that he did not dare communicate his views even to the general. But at times he would pluck up his courage and be full of hope and good spirits again, acting, in fact, as weak men do act in such circumstances.
He took her hand and seated her on the bench; then sat down beside her and reflected.
As to the rest, one was a man of thirty, the retired officer, now a boxer, who had been with Rogojin, and in his happier days had given fifteen roubles at a time to beggars. Evidently he had joined the others as a comrade to give them moral, and if necessary material, support. The man who had been spoken of as “Pavlicheff’s son,” although he gave the name of Antip Burdovsky, was about twenty-two years of age, fair, thin and rather tall. He was remarkable for the poverty, not to say uncleanliness, of his personal appearance: the sleeves of his overcoat were greasy; his dirty waistcoat, buttoned up to his neck, showed not a trace of linen; a filthy black silk scarf, twisted till it resembled a cord, was round his neck, and his hands were unwashed. He looked round with an air of insolent effrontery. His face, covered with pimples, was neither thoughtful nor even contemptuous; it wore an expression of complacent satisfaction in demanding his rights and in being an aggrieved party. His voice trembled, and he spoke so fast, and with such stammerings, that he might have been taken for a foreigner, though the purest Russian blood ran in his veins. Lebedeff’s nephew, whom the reader has seen already, accompanied him, and also the youth named Hippolyte Terentieff. The latter was only seventeen or eighteen. He had an intelligent face, though it was usually irritated and fretful in expression. His skeleton-like figure, his ghastly complexion, the brightness of his eyes, and the red spots of colour on his cheeks, betrayed the victim of consumption to the most casual glance. He coughed persistently, and panted for breath; it looked as though he had but a few weeks more to live. He was nearly dead with fatigue, and fell, rather than sat, into a chair. The rest bowed as they came in; and being more or less abashed, put on an air of extreme self-assurance. In short, their attitude was not that which one would have expected in men who professed to despise all trivialities, all foolish mundane conventions, and indeed everything, except their own personal interests.
Aglaya was quite alone, and dressed, apparently hastily, in a light mantle. Her face was pale, as it had been in the morning, and her eyes were ablaze with bright but subdued fire. He had never seen that expression in her eyes before.

“That I only _pitied_ her--and--and loved her no longer!”

A certain Prince S---- arrived in St. Petersburg from Moscow, an eminent and honourable young man. He was one of those active persons who always find some good work with which to employ themselves. Without forcing himself upon the public notice, modest and unobtrusive, this young prince was concerned with much that happened in the world in general.

“But after all is said, we are mixed up in it. Your daughters are mixed up in it, Ivan Fedorovitch; young ladies in society, young ladies at an age to be married; they were present, they heard everything there was to hear. They were mixed up with that other scene, too, with those dreadful youths. You must be pleased to remember they heard it all. I cannot forgive that wretched prince. I never shall forgive him! And why, if you please, has Aglaya had an attack of nerves for these last three days? Why has she all but quarrelled with her sisters, even with Alexandra--whom she respects so much that she always kisses her hands as though she were her mother? What are all these riddles of hers that we have to guess? What has Gavrila Ardalionovitch to do with it? Why did she take upon herself to champion him this morning, and burst into tears over it? Why is there an allusion to that cursed ‘poor knight’ in the anonymous letter? And why did I rush off to him just now like a lunatic, and drag him back here? I do believe I’ve gone mad at last. What on earth have I done now? To talk to a young man about my daughter’s secrets--and secrets having to do with himself, too! Thank goodness, he’s an idiot, and a friend of the house! Surely Aglaya hasn’t fallen in love with such a gaby! What an idea! Pfu! we ought all to be put under glass cases--myself first of all--and be shown off as curiosities, at ten copecks a peep!”

III.
“Well, good-bye!” said the prince, holding out his hand.

“If anyone had treated me so,” grumbled the boxer.

“What are you making such a fuss about?” said the old lady, with annoyance. “You are a good fellow, but very silly. One gives you a halfpenny, and you are as grateful as though one had saved your life. You think this is praiseworthy on your part, but it is not--it is not, indeed.”
“What do you mean by special privileges?”
“Oh no--not a bit! It was foolish of me to say I was afraid! Don’t repeat it please, Lebedeff, don’t tell anyone I said that!”

Gania lit a cigarette and offered one to the prince. The latter accepted the offer, but did not talk, being unwilling to disturb Gania’s work. He commenced to examine the study and its contents. But Gania hardly so much as glanced at the papers lying before him; he was absent and thoughtful, and his smile and general appearance struck the prince still more disagreeably now that the two were left alone together.

“Well, it’s too bad of you,” said mamma. “You must forgive them, prince; they are good girls. I am very fond of them, though I often have to be scolding them; they are all as silly and mad as march hares.”
Our friend, Gania, belonged to the other class--to the “much cleverer” persons, though he was from head to foot permeated and saturated with the longing to be original. This class, as I have said above, is far less happy. For the “clever commonplace” person, though he may possibly imagine himself a man of genius and originality, none the less has within his heart the deathless worm of suspicion and doubt; and this doubt sometimes brings a clever man to despair. (As a rule, however, nothing tragic happens;--his liver becomes a little damaged in the course of time, nothing more serious. Such men do not give up their aspirations after originality without a severe struggle,--and there have been men who, though good fellows in themselves, and even benefactors to humanity, have sunk to the level of base criminals for the sake of originality).

But in spite of this conclusion to the episode, the prince remained as puzzled as ever, if not more so. He awaited next morning’s interview with the general most impatiently.

But it was Hippolyte’s last idea which upset him.

The two sisters hurriedly went after her.

“She sprang forward and stood still in front of the reptile as if she had been turned to stone. The beast stopped too, but its tail and claws still moved about. I believe animals are incapable of feeling supernatural fright--if I have been rightly informed,--but at this moment there appeared to me to be something more than ordinary about Norma’s terror, as though it must be supernatural; and as though she felt, just as I did myself, that this reptile was connected with some mysterious secret, some fatal omen.

“In my opinion, you are far from a fool sometimes--in fact, you are very intelligent. You said a very clever thing just now about my being unjust because I had _only_ justice. I shall remember that, and think about it.”
“How strange everyone, yourself included, has become of late,” said he. “I was telling you that I cannot in the least understand Lizabetha Prokofievna’s ideas and agitations. She is in hysterics up there, and moans and says that we have been ‘shamed and disgraced.’ How? Why? When? By whom? I confess that I am very much to blame myself; I do not conceal the fact; but the conduct, the outrageous behaviour of this woman, must really be kept within limits, by the police if necessary, and I am just on my way now to talk the question over and make some arrangements. It can all be managed quietly and gently, even kindly, and without the slightest fuss or scandal. I foresee that the future is pregnant with events, and that there is much that needs explanation. There is intrigue in the wind; but if on one side nothing is known, on the other side nothing will be explained. If I have heard nothing about it, nor have _you_, nor _he_, nor _she_--who _has_ heard about it, I should like to know? How _can_ all this be explained except by the fact that half of it is mirage or moonshine, or some hallucination of that sort?”

“But what’s to be done? It’s a serious matter,” said the prince, thoughtfully. “Don’t you think you may have dropped it out of your pocket whilst intoxicated?”

“Yes--that’s a copy of a Holbein,” said the prince, looking at it again, “and a good copy, too, so far as I am able to judge. I saw the picture abroad, and could not forget it--what’s the matter?”

IV.

“We are not afraid of your friends, prince,” remarked Lebedeff’s nephew, “for we are within our rights.”
VI.